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A love letter to Giorgio Armani

Timeless elegance—two words that come to mind when I think of Giorgio Armani, my old friend, whom I love and admire. I look at Giorgio’s clothes, at his sense of balance and proportion, line and shape, color and texture, and I’m always astonished all over again.

It doesn’t matter who’s wearing them—he makes us all look good. Part of it is because we feel good wearing his clothes. Like all great designers, Giorgio isn’t thinking of just outward appearance on a red carpet but also comfort in everyday life. His designs are all of a piece, and they are quietly detached from the fads and trivia of the moment. As I said, timeless elegance.

I’ve learned so much from him over the years. Decades of working together, first on some commercials and a 1990 film portrait of Giorgio called Made in Milan; then on my 2001 documentary on Italian cinema, on which he served as executive producer (it’s obvious from his designs that Giorgio loves the cinema); and most recently on The Wolf of Wall Street (he designed some of the suits worn by the film’s title character, played by Leo DiCaprio). And, over those years, we were lucky enough to get to know each other.

Forty years? It seems like yesterday, my friend. Here’s to you, Giorgio.